Phaedrus explains in a fable why homoeroticisme or homosexuality exists, both male and female; Ovid also does it with his account of Iphis and Ianthe. Plato also did it in his dialogue The Banquet, as I said in this blog. Even without understanding it very well, they tried to explain transsexuality and transgender.
Lesbian Visibility Day is celebrated on 26 Aprilo to demand equal rights for lesbians in many parts of the world. Without entering into moral, the text that is mentioned here, one of the Dialogues of the Heterae or Courtesans that Lucian of Samosata wrote, is a document that I consider interesting
The most famous Latin poets of the three of the time of Augustus, Virgil, Horace and Ovid, undoubtedly the most influential of them all in Western culture has been Ovid, although not the best valued by literary criticism. The influence of Ovid has been felt since antiquity itself, during the Middle Ages and the Renaissance to the present day in all arts, in literature of course, but also especially in painting and even in music. This is a subject very attended by the scholars and to which perhaps I should on my part dedicate some ample comment at some time. Something of this I have said in some of the articles that I have published in the thread of the celebration of the bimillenary of the poet’s death.
Was the exile that fueled part of Ovid’s poetry real or was it only a poetic fiction with which the creative poet has deceived us two thousand years?
The question may seem a modern exaggeration, characteristic of scholars who seek notoriety at any price. But it is not so and it is worthwhile to devote some time to this topic that was already raised at the beginning of the 20th century, and to which since then serious reflections and studies have been dedicated.
In the eighth year of our era, the cheerful and worldly Latin poet Ovid was in Elba island in the company of his friend Maximus whose full name was Marcus Aurelius Cotta Máximus, son of Marcus Valerius Messala Corvinus, the protector of some literates. There Ovid received from the emperor Augustus a letter with the charge of serious crimes and the order to appear quickly in Rome, where he received the immediate condemnation of exile to the frontiers of the Empire.
The Latin poet Publius Ovidius Naso, desperate and sick, died in exile in 17 AD in Tomis, the present Constanza, in Romania, by the Black Sea, then called Pontus Euxinus, the Euxine Sea (favorable sea). He was born on March 20, 43 BC, the year after the assassination of Julius Caesar, in the city of Sulmona, in the center of Italy, east of Rome and about 130 km from the Urbe, the City, from an old and rich family; He was 60 years old when he died, much less than his father who died at 90 years old.
The 21st of March of each year it is celebrated the World Poetry Day . It is a day to sing the excellences of the poetic work. In this blog they are numerous times that I have talked about poetry.
We name “calligramme” or pattern poem or visual poem it that with the arrangement of its verses and words written in the text draws the shape that the content of the poem refers to extend the emotional content. It is therefore a beautiful visual poem; that’s what “calligramme” means.
According to the moralist scheme of Roman historians and educators, the ancient inhabitants of Rome were austere farmers, who then became addicted to the pleasures and they were corrupted influenced by Greek and Asian luxury after the Punic Wars and the conquest of Greece and East.
privative a, ἀ- , privative alpha, is a Greek prefix (originated in Indoeuropean) that expresses negation or absence of the concept meaning by the term to which it is attached.From Greek it came to Latin and from it to Spanish and other romance languages.